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      Gumroad Library

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      $19.99

      Canon C200 RAW Light to Rec709 Pro LUTs

      Canon C200 RAW Light to Rec709 Pro LUT Pack

      The Canon C200 RAW to Rec709 Pro LUT pack is designed to help you save time and effort in post production.

      This is a set of 17 Pro Grade Technical LUTs which should be applied before you stylize your image.

      LUTs Included:

      Broadcast 01
      Broadcast 02
      Broadcast 03
      Alexa Lookalike
      High Contrast
      Low Contrast
      Faux Fujifilm
      Faux Kodak Film
      Feature
      HBO
      Netflix
      Mono
      Nostalgia
      Punch It
      Teal and Orange
      Two Tone
      Urban

      LUT Breakdown:

      Broadcast 01 - this LUT allows for a single click adjustment that allow your C200 RAW clips to be ready for broadcast, web or streaming delivery.

      Broadcast 02 - this LUT allows for a single click adjustment that allow your C200 RAW clips to be ready for broadcast, web or streaming delivery with a bit more punch.

      Broadcast 03 - this LUT allows for a single click adjustment that allow your C200 RAW clips to be ready for broadcast, web or streaming delivery with more of a cinematic feel.

      ARRI Alexa Lookalike - this LUT allows for a single click adjustment that allow your C200 RAW clips to mimic the ARRI Alexa look and feel.

      High Contrast - this LUT allows for a single click adjustment that allow your C200 RAW clips to show a more authoritative and bold feeling and emotion.

      Low Contrast - this LUT allows for a single click adjustment that allow your C200 RAW clips to show higher level of details and texture in shadows.

      Faux Fujifilm - this LUT allows for a single click adjustment that allow your C200 RAW clips to mimic the classic Fujifilm look and feel.

      Faux Kodak Film - this LUT allows for a single click adjustment that allow your C200 RAW clips to mimic the classic Kodak film look and feel.

      Feature - this LUT allows for a single click adjustment that allow your C200 RAW clips to represent the modern feature film look which is great for indie filmmaking types of productions.

      HBO - this LUT allows for a single click adjustment that allow your C200 RAW clips to show characteristics of modern HBO episodic series.

      Netflix - this LUT allows for a single click adjustment that allow your C200 RAW clips to show characteristics of modern streaming episodic series and made for streaming features without the banding issues that many face.

      Mono - this LUT allows for a single click adjustment that allow your C200 RAW clips to emphasize a color to bring attention and focus to your storytelling through visuals.

      Nostalgia - this LUT allows for a single click adjustment that allow your C200 RAW clips to bring back a feeling of film with big contrast that doesn't crush shadows, highlights that roll off gradually in a very pleasing way and skin tones that pop but make you remember the past in a romantic way.

      Punch It - this LUT allows for a single click adjustment that allow your C200 RAW clips quickly and effectively make a point in your storytelling.

      Teal and Orange - this LUT allows for a single click adjustment that allow your C200 RAW clips to leverage the most effective color contrast combination in a cinematic way that won't get in the way of your storytelling without polluting your blacks or whites.

      Two Tone - this LUT allows for a single click adjustment that allow your C200 RAW clips to manipulate the colors of your scene to help emphasize your story and make the production feel like you had a much bigger crew which included a set designer and wardrobe designer while keeping skin tones true.

      Urban - this LUT allows for a single click adjustment that allow your C200 RAW clips to add grit and feeling to your footage giving them street credit while maintaining the film and cinematic aesthetics.


      Suggested Use:

      In DaVinci Resolve, I would recommend that the first node be used to adjust your exposure and white balance if needed and then add a second node where these technical LUTs will do their work.

      In Adobe Premier these LUTs should be added in the first color tab or Layer followed by the necessary (if any) exposure and white balance adjustments.

      In FinalCut Pro X these LUTs should be added after the exposure and white balance adjustments for best results.


      FAQs:

      Q. Will these LUTs work with non-RAW files from the Canon C200?
      A. NO they will not!

      Q. Will these LUTs work with .mp4 files from the Canon C200?
      A. No they will not!

      Q. Will these LUTs work with MXF files from the Canon C200?
      A. No they will not!

      Q. Will these LUTs work with Canon Log files from the 5DM4?
      A. No they will not!

      Q. Will these LUTs work with Canon Log files from the 1DC?
      A. No they will not!

      Q. Will these LUTs work with Canon Log files from the C300?
      A. No they will not!

      Q. Will these LUTs work with Canon Log files from the C300 Mark II?
      A. Maybe, if you shot in Cinema Gamut, CLog2 but some adjustments may be necessary. These are C200 RAW LUTs and intended for C200 RAW files only.

      Q. Will these LUTs work with Canon Log files from the C500?
      A. No they will not!

      Q. Will these LUTs work with Canon Log files from the C700?
      A. Maybe, if you shot in Cinema Gamut, CLog2 but some adjustments may be necessary. These are C200 RAW LUTs and intended for C200 RAW files only.

      Q. Will these LUTs work with Canon Log files from the XC10?
      A. No they will not!

      Q. Will these LUTs work with Canon Log files from the XC15?
      A. No they will not!

      Q. Will these LUTs work with Canon 8bit Log files from the Canon EOS R?
      A. No they will not!

      Q. Will these LUTs work with Canon 10bit Log files from the Canon EOS R?
      A. Safe answer is NO since I have not tested this.

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      Purchasing Canon C200 RAW Light to Rec709 Pro LUTs...

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      05/18

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