This piece is featured in Chapter 6 of my Practicing Music by Design: Historic Virtuosi on Peak Performance (Routledge). Pianist Alfred Cortot used this prelude to illustrate some important practice techniques, and I used Francisco Tárrega's transcription for guitar in my book. (Tárrega transposed the piece from c minor to c# minor.) The phrase markings are Chopin's, modified by Cortot. I have omitted Tárrega's fingerings, but may add them at some point.
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