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        Interview with Professional Film Editor Larry Jordan (Jack Frost, CSI Miami, NYPD Blue)

        Interview with Professional Film Editor Larry Jordan (Jack Frost, CSI Miami, NYPD Blue)

        To get this interview, type $0 (or more if you are feeling generous) into the Price box, then click I Want This, then enter your email address and click Get. Check your email for a link.

        Larry Jordan has amassed more than 45 professional credits, working on successful films such as Fallen, Assassins, Deuce Bigelow: Male Gigolo and television series including CSI: Miami and NYPD Blue. . Larry has worked with many of the top creatives at the world’s largest entertainment companies, including Time Warner, Sony, Fox, MGM, HBO, Netflix and Disney. He has supervised creative aspects of the post-production process on dozens of feature films and television shows with budgets ranging from $1 million to more than $80 million. He recently completed his latest feature film, Naked starring Marlon Wayans and Regina Hall for Netflix.

        Larry recently created Master the Workflow (www.MasterTheWorkflow.com), a game-changing online course that teaches the practicalities of a career in film editing to a new generation of up and coming filmmakers and professional film editors. He also created www.2-pop.com, an Internet community dedicated to providing information about Apple’s revolutionary new post-production software, Final Cut Pro.

        In this interview Larry Jordan addresses: 

        • The process for becoming a professional film editor. 
        • Why a professional editor is key to the success of an independent feature film.
        • When in the process of development/pre-production producers should start looking for their film editor.
        • How to foster a productive, streamlined, relationship between DP, Director, and Editor
        • The relationship between Film Editors and Post Production Supervisors
        • Collecting, storing, protecting, and editing digital images in a 4K+ world
        • What to look for when assessing film editors for your feature
        • Why some indie filmmakers elect to edit their own productions and how to do it well

        This is an very important interview if you want to be a film editors, or are a producer who will be hiring film editors, or are a producer who wants to edit their own films.

        If you have questions about this event, please email nancy.fulton@yahoo.com. I look forward to being of service. 

        Testimonials

        “ Nancy you are amazing. Thank you for doing all this to benefit all of us newcomers. ” — DP

        “ Very relevant and helpful. Nancy, you're doing a great job! Thank you! ”

        — Pamela Davis

        “ Nancy is amazing and such a gift to the filmmaking community. ”

        — Jim Henson

        “ Nancy, you amaze me with your giving spirit and ability to bring such great guests on board. Thanks for all you do to help us excel in our careers. ”

        — Susan Shearer

        “ A very useful, educational resource that is incredibly generous in giving knowledge and expertise to the film making community. ”

        — Pippa Hinchley

        “ Good information resource. Well organized. ”

        — JB

        “ Nancy's Film Funding Club is very valuable. Always lots of great information. It's very obvious that she puts a lot of work into these seminars for us (slide shows, audio recordings, coordinating guest speakers, etc.). I am very grateful and appreciative to her and her guests for their time and talent to help further our careers. ”

        — Jodi

        “ interesting, innovative approach. thank you, Nancy! ”

        — Camille Bacos

        About the Film Funding Club: “ I'm thoroughly enjoying this club. I wish I had found out about it way earlier, I'd be way ahead of the game. I would recommend this club to anyone who truly wants to learn the business aspect of the film industry. ”

        — Reinaldo D'Amico 

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        • Size 1.82 GB
        • Duration 69 minutes
        • Resolution 720p
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