A photo essay this week inside this issue is by DK's creative director, Dipika Kohli. In 2015, she gathered these geometric visual notes as part of a series, 'Seeing S P A C E Bangkok.' We pair these images with an exceprt from the chapbook, 'Ten Days in Bangkok,' by A. Spaice, which was then favorably reviewed by Displaced Nation.
Dipika Kohli's written and visual work, as well as curations, juxtapose people, place, and found imagery in 'minitheaters'. She engages with media at hand, wherever she is, to build something out of what's available in that moment, with that feeling. A bricolage artist at heart, she thus invites the new to enter any frame: when mixed, there is invitation for those who are participant to connect, reconnect, and revisit their idea of such fixed thinking as 'this is where this is taking us' and 'here is what we know.' Do we know anything, for sure? Ask the quantum physicists. Ask N. Bohr: 'How wonderful that we have met with a paradox; now we have some hope of making progress.'
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